Renaissance Wax
How to Select a Wax For Bronze and Other Metal Sculptures
renaissance wax polish
Regularly folk that own bronze, zinc or other metal sculptures and other pieces of art, need to clean up and polish their piece at home instead of have it done by a pro. This is totally OK so long as the maximum care and consideration is taken. What the majority don’t realize is that many commercial waxes can produce an acid that may cause damage to their piece.
Talking generally it is suggested to keep most sculptures waxed, especially if they’re displayed outside. Raw metal reacts with moisture, air and anything more it comes in communication with like contaminants in the air or acids in human skin. Acute direct daylight can also play a massive part in metal damage on out of doors pieces. The right wax offers a protecting layer between the metal and damaging elements.
It’s a common belief that beeswax and carnauba wax are good waxes for metals. The reality is that these waxes can really produce acid when oxidization and hydrolysis happen and result in damage to metal and acid-sensitive materials. A best choice is a wax that is chemically neutral, freed from damaging acids. One product that’s utilised by many restoration and conservation pro is known as Renaissance wax. It was made in the 1950′s in the UK under the directive of global conservationists that accepted the issues due to normal waxes. The product that resulted removes lives, polishes, buffs to a tough finish, remains clear after multiple applications and is safe for many various materials. It is costly but only a touch is required and suggested. There may be other similar products on the market, but this one is the first and has been used in countless high visibility museums and studios and has been suggested by highly credible sources. Don’t ever forget to use parsimoniously and only work little areas at a time.
Restoration pros often create their own waxes and this is going to be an extra source for the sculpture owner needing to guard their piece. Professionals can customise a wax for a selected project by adding pigments to improve or mix specific areas on a sculpture. Patinas are in an incessant state of change and if correctly maintained, the tiny changes are most always on the enrichment side.
Once waxed, a metal sculpture is protected – but for how long? If it is in a particularly temperature and light controlled, dust-free environment it is going to be good for a number of years. If it is exposed to elements, especially direct daylight, sea air or polluted air, cleaning and waxing should be repeated more frequently – most likely each year or more frequently in a number of cases. The main thing is to stop damage before it happens and naturally – using the right wax to actually protect and not cause new issues.
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